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Ingolf Wunder

Sprung from a dream

[...]A nice introduction and an excellent contrast to the center-piece of the program, which exhibited the self-constructive constructivism of the 30-year-old Beethoven. Less in a gestural sense, however, because the 32-year Wunder is a man of clear structures in the matter. With a decided, very differentiated, precise and plastic tone that always points to the creative process in which it is very effective. He related always to the melodies without harming the form or creating pseudo-genial outliers. The correspondence with the direct and strikingly playing Museumsorchester was superb. Beethovens articulatory self-logic in ideal projection of his formal calculus - crowned by the soloist with his wonderful cadences.[...]

Frankfurter Rundschau | 20.11.2017 | Bernhard Uske

Sprung from a dream

[...]A nice introduction and an excellent contrast to the center-piece of the program, which exhibited the self-constructive constructivism of the 30-year-old Beethoven. Less in a gestural sense, however, because the 32-year Wunder is a man of clear structures in the matter. With a decided, very differentiated, precise and plastic tone that always points to the creative process in which it is very effective. He related always to the melodies without harming the form or creating pseudo-genial outliers. The correspondence with the direct and strikingly playing Museumsorchester was superb. Beethovens articulatory self-logic in ideal projection of his formal calculus - crowned by the soloist with his wonderful cadences.[...]

Frankfurter Rundschau | 20.11.2017 | Bernhard Uske